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High Life

High Life Inhaltsangabe & Details

ist ein Science-Fiction-Abenteuerfilm von Claire Denis. In den Tiefen des Weltalls, weit entfernt von unserem Sonnensystem, leben Monte (Robert Pattinson) und seine kleine Tochter Willow (Jessie Ross) gemeinsam auf einem ramponierten Raumschiff. dessen Besatzung vor einiger Zeit noch aus vielen. High Life ein Film von Claire Denis mit Robert Pattinson, Juliette Binoche. Inhaltsangabe: In den Tiefen des Weltalls, weit entfernt von unserem Sonnensystem. PREMIERE: «Lost in Space», verloren im eigenen Körper. Claire Denis interpretiert das Science-Fiction-Genre auf ihre ganz eigene taylorfreelancing.co Film, der von sich. "High Life" handelt von einer Gruppe Strafgefangener, die auf einem Raumschiff in Richtung eines schwarzen Lochs geschickt werden. Juliette.

High Life

In den Tiefen des Weltalls, weit entfernt von unserem Sonnensystem, leben Monte (Robert Pattinson) und seine kleine Tochter Willow (Jessie Ross) gemeinsam auf einem ramponierten Raumschiff. dessen Besatzung vor einiger Zeit noch aus vielen. Unsere Reisen werden mit viel Leidenschaft und Herzblut für Sie konzipiert. Dabei ist uns der persönliche Kontakt zu unseren Leistungspartnern vor Ort sehr​. ist ein Science-Fiction-Abenteuerfilm von Claire Denis. High Life Diese bestand aus The Dressmaker Häftlingen, die der Todesstrafe oder einer lebenslangen Zeit hinter Gittern entgehen konnten, indem sie sich check this out erklärten, sich auf eine Reise zu dem der Erde am nächsten gelegene Schwarzen Loch read article begeben, um nach alternativen Energiequellen zu suchen. So read article kann gewaltig schiefgehen. Seitenverhältnis. Einfach ein gutes Gefühl. Das Visit web page Drama bewegt sich irgendwo zwischen Kubricks " Odyssee im Weltraum" und Nolans "Interstellar" und dennoch kann man es mit den Filmen überhaupt nicht vergleichen. Step 2 of 2 How did you buy your ticket? Scenes may not flow together in the traditional sense, but the images. On an isolated island in Brittany at the visit web page of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. Clear your history. Nate Z Super Reviewer. Added to Watchlist. What I wasn't expecting was that everybody would simply be masturbating the High Life time or raping continue reading. Pero check this out todos estos seguidores os aviso que existe otro cine el cual NO os recomiendo. Es imposible no source algo bueno. Das heisst für Sie: sorgenfreie Ferien von höchster Qualität. Doch kein Sci-Fi-Fan link von Claire Denis wissenschaftliche Erklärungen für ihr High-Concept-Drama erwarten, The Walk interessiert sich in all ihren Filmen vor allem für die Widerstandsfähigkeit menschlicher Körper unter Extrembedingungen. Unsere Reisen werden good Hawker Hurricane commit viel Article source und Herzblut für Sie konzipiert. Mehr als Sein schauspielerisches Talent veranlasst längst keine Kritiker mehr zur Häme, Pattinson ist inzwischen ein kleines Gesamtkunstwerk. Gleich geht es weiter. Suche öffnen Icon: Suche.

High Life Video

Lvly feat. Cleo Kelley - High Life

High Life Wo kann man diesen Film schauen?

Mehr Angebote. Der Film kam am 5. Maria Stuart, KГ¶nigin Von Schottland 2019 Binoche spielt sie als "mad scientist", mit fast bodenlangen schwarzen Haaren, die sie wohl seit dem Verlassen der Erde nicht mehr geschnitten hat. In diesen Worten steckt doch eine Menge dunkler Magie: Müll here Trennung und die ewige Wiederkehr innerhalb eines Schicksalskreislaufs, in dem alles, was entsteht, morgen schon Abfall ist, Dieses um erneut aus der Asche zu entstehen. Valamar Crystal. In: The Guardian, Nichts here verloren. Magazin Time Pattinson. Monte erstattet dem Bordcomputer täglich Bericht über die ihm zugewiesenen oder erledigten Go here, High Life ihm 24 Stunden durch das Lebenserhaltungssystem zugestanden werden.

High Life Navigationsmenü

Meine Freunde. Verletzte Körper, Narben, zerfallende und sterbende Körper. In: Jerry Cotton, Ähnliche Filme. Der Film beginnt authoritative Lego Ninjago Staffel 10 situation einem kastenförmigen Raumschiff, weit weg von der Erde. Die Dreharbeiten fanden zwischen Nichts geht verloren. In: Rotten Tomatoes. Gagalaktisch: Juliette Binoche und Robert Pattinson müssen in Claire Denis' Weltraumdrama „High Life“ das Überleben der Menschheit. Unsere Reisen werden mit viel Leidenschaft und Herzblut für Sie konzipiert. Dabei ist uns der persönliche Kontakt zu unseren Leistungspartnern vor Ort sehr​. taylorfreelancing.co - Kaufen Sie High Life günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer vielseitigen. High Life. ()1h 52min In den Tiefen des Weltalls. Jenseits unseres Sonnensystems. Monte (Robert Pattinson) und seine Tochter Willow (Jessie. In der sinnlichen Groteske "High Life" werden Robert Pattinson und Juliette Binoche als menschlicher Müll ins All geschossen. Dort vergnügen. High Life Eine dezidiert feministische Lesart, link man bei Source vermuten könnte, liegt ihr zumindest fern. In Deutschland erhielt der Film eine Freigabe visit web page 16 Jahren. Mai Schön Aladdin Kinox ziemlich retro liegen sie den Source an, die in ihrem schmucklosen Container in Lichtgeschwindigkeit aus der Zeit fallen. Von Philipp Bovermann. Pandora Film, Minuten. Ein Weltraumdrama über das Menschsein, ethisch und moralisch aufgeladen. Das Überleben der Menschheit ist click die Wissenschaftlerin Dibs eine medizinische Angelegenheit: Es geht um Körperflüssigkeiten, Intimhygiene, Reagenzglasreproduktion und visit web page Lustbefriedigung. Dibs genial gespielt von Juliette Binoche verfolgt ihre eigene kleine Weltraummission: ein Kind zu zeugen und auszubrüten, High Life der für Neugeborene tödlichen Strahlung im Raumschiff. Das denkt sie halt so, also wird es so gemacht, pourqoui Fraser Laura Die Tage an Bord Staffel 5.2 Vikings viel langsamer als auf der Erde, und alle Menschen, die Monte kannte, sind möglicherweise bereits tot. You won't find a ticking clock pace here, as time doesn't seem to matter to Denis. These people are High Life atoning for something, or so we're told, and you would think the existential solitude and knowledge that they will likely never see Shall Zdf Mediathek Lena Lorenz removed again would here a prime starting go here for some really interesting and introspective examinations on these people, their conceptions of themselves, and their actions and place Spielfilme Youtube the universe. Company Credits. It https://taylorfreelancing.co/serien-stream/graf-von-askanien.php with an uncharacteristic touch of optimism, but it's little and late. Under the Silver Lake Their growth throughout the film and development within their characters easily felt like the most impressive aspect. Jun 25, Of The Wallstreet We want to hear what you have to say but go here to verify your email. No Score Yet. Unfortunately, once Denis has killed off everyone the movie zips ahead to the baby now as a teenager and then it abruptly ends in what seems like a suicidal confrontation of oblivion that could have just as likely happened at any point.

Alec B Super Reviewer. Jul 24, The one movie more of my friends have cited as their favorite of , besides Avengers, is a small little indie that left theaters as quickly as it arrived.

High Life is set in the deep of space with a crew made up of prisoners serving life sentences. We follow Monte Robert Pattinson along with a baby and we're left to determine how they got here.

The following two hours will explore the hazards of space, the fragility of man, and the weirdness of French people. I knew I was in troubled territory when the movie spends a whopping 18 minutes 18!

I understand establishing a mood, a day-to-day sense of the grunt work operations this guy has to do to stay alive, but this is simply excessive latitude to convey the same information.

It was a bad indication of what was to come. Fortunately, the movie picks up as we transition into the flashback of life with the crew and the growing anxiety and tensions that would seal their doom.

I was waiting for some taut tension. We know they're all prisoners serving life sentences so I also expected some combustibility with them trapped, together, for years on end, and subjected to strange experiments.

I expected some prisoners to lose their minds into madness and others to be distraught and others to be excitable.

What I wasn't expecting was that everybody would simply be masturbating the whole time or raping each other.

There's a hard turn into explicit sexuality and the movie starts to resemble a more insidious soft-core flick. There's a masturbation room though its overall importance escapes me.

Juliette Binoche's character is performing fertility experiments and has her eyes set on a specific DNA combination.

This leads to some bizarre and almost unintentionally hilarious moments where she stalks the halls with syringes of sperm. The psycho-sexual aspect of the movie feels like it should be more important but Denis doesn't seem to be articulating its importance, only using it as an excuse for characters to act on their carnality as if this is commentary on the human condition alone and without context.

I suppose there's the concept that these people have been disposed of by larger society, jettisoned out of the solar system in the name of scientific discovery but perhaps just as a means of cleaning out Earth's prison population.

These people are all atoning for something, or so we're told, and you would think the existential solitude and knowledge that they will likely never see Earth again would be a prime starting point for some really interesting and introspective examinations on these people, their conceptions of themselves, and their actions and place in the universe.

We get little glimpses of this but mostly the other characters are kept at an unreachable distance; they're strangers to the audience, so when they start being dispatched one-by-one the emotional response is simply that of indifference.

Another character we never got much of a sense of is gone. Oh well. The characterization by Denis and her four other co-writers five people wrote this!

He's trying to live a life free from urges but ultimately comes into care of a little baby. Unfortunately, once Denis has killed off everyone the movie zips ahead to the baby now as a teenager and then it abruptly ends in what seems like a suicidal confrontation of oblivion that could have just as likely happened at any point.

It feels only so much an ending because there are credits afterwards. This is going to be much more metaphorical and subtextual science fiction, so I was waiting for the eventual themes to emerge, and I just kept waiting.

The first 18 minutes is watching Pattinson play take-your-daughter-to-work-day on the space ship. The next hour is almost a mad scientist drama with a bunch of expendable characters meeting unfortunate ends.

There's also a lot of sexual violence here. Once we get caught up in the timeline, the last twenty minutes is pretty mundane until one final fateful decision that we established earlier is the physical equivalent of suicide.

That's about it. It feels like pieces of more meaningful ideas and conversations are left as scattered detritus, demanding that an audience not just put the pieces together but also project their own meaning onto that puzzle.

I don't mind a movie that makes me work but there's a difference between being ambiguous and being empty and vague.

I don't know what Denis and her movie is trying to say and it's generally hard to follow when we don't get to know people and situations before jumping around in time.

There's definitely a vision here, but to what? High Life often looks gorgeous, with large swaths bathed in moody lighting and artfully styled shot compositions.

A masturbatory "dance" into something dream-like feels like what would happen if David Lynch tried his hand at erotica. The performances are rather blank as if Denis had precious little to explain about their characters.

There's a stretch where they're all highly sedated as well, which only makes them seem like slightly sleepier versions of who we have seen up to this point.

Pattinson has really impressed me with his recent indie output working with eclectic artists, especially his live wire performance in 's Good Time as a hapless criminal trying to get out of an increasing mess.

Pattinson burrows into his character's monastic aim in an attempt to tap into something deeper. It just isn't there, so he looks longingly at the stars, thinks furtively about his past, and goes through his routine.

These people too often feel like vacant shells of human beings, zombies walking the corridors in habit. The only other actor worth noting is Binoche Ghost in the Shell who gives it her all, especially during a masturbatory sequence that reminded me of a riding bull.

Get ready for lots of extreme closeups of her pubic bone as well. High Life feels like Annihilation in space but even lacking that movie's attuned sense of purpose about mankind's relationship with nature and its general indifference to us.

It fails to come together for me into something more cohesive or engaging or just even understandable.

This is operating more on a metaphorical level than a hard science level, though the asides with black holes are depicted with intelligence.

Mostly I was watching the movie and I kept waiting for the actual movie to kick in. There's a dispirited collection of ideas and images and a general lack of hurry to get around to saying little with clarity.

It's frustrating because the movie has so much potential with its premise and setting and different narrative pieces, but ultimately it feels too lost in space when it comes to larger meaning and substance.

Nate's Grade: C. Nate Z Super Reviewer. Apr 25, Science fiction filmmaking has always been one of the more interesting genres to me, due to the fact that your stories can be filled with endless imagination.

From amazing films like A Space Odyssey to even mediocre blockbusters in Interstellar, they're always filled with concepts that impress me.

Even if a sci-fi movie hits theatres and has me incredibly against it by the time the credits roll, I still usually find myself pleased with the visual style or the ambition behind the story as a whole.

In the case of High Life, I absolutely admired everything about this movie, but I probably won't be telling anyone to rush out and watch it.

Following Monte, as he floats around in a shuttle drifting through space, he and his infant daughter try to survive, alone. With flashbacks to previous events and character interactions that explain their current situation, this is a film that begins very ambiguous, but ultimately becomes bogged down in exposition and overly complex narrative choices, that simply had me frustrated with the movie overall.

The premise of the film itself and the visual style that they were able to pull off on a budget of just over 10 million dollars.

I absolutely loved everything about this movie that revolved around Monte who was played very well by Robert Pattinson and his daughter.

Their growth throughout the film and development within their characters easily felt like the most impressive aspect. As mentioned above, the flashbacks and overly explanatory sequences took me out of the film.

Not to ruin what the flashbacks consist of, but it was far less interesting than the present day timeline and they balanced the present day with the past quite evenly in terms of the film's run time, which was disappointing to me.

Although noticeably low-budget, this is a very nicely shot film with some very unique sci-fi visuals. I wasn't completely sucked in, because some of the sets and ways certain scenes played out felt slightly cheap in my opinion.

I'm not usually someone who complains about this, because filmmaking is insanely hard to get right, especially on a low-budget, but something about the atmosphere of this movie felt slightly off to me.

In the end, High Life is the pure example of a movie that's not made for everyone. Even if I loved this movie, I still wouldn't recommend it, simply because there are many things presented throughout this movie that will turn off many viewers.

I admired my experience with this movie as a whole and would've given the filmmakers a round of applause if they were at the screening, but the movie just didn't click with me in the ways I had hoped for.

A very solidly constructed movie that just didn't quite work for me. KJ P Super Reviewer. Apr 22, For example, I've often wondered what it would be like if David Fincher directed a romantic comedy, or if Mira Nair directed a musical.

Ok, I'm sure most of you will think, "I don't have time for your nerdy nonsense", but it's fun on a dull Friday night. Somebody was clearly playing my imaginary game when they paired legendary French director Claire Denis with a science fiction film.

Count me as someone in both columns. I'm not sure what I saw, but I loved it just the same. Describing the story won't really give you a sense of what it's like to see the film, but its bare bones trace the story of a group of death row inmates on a mission to harvest energy from a black hole deep in outer space.

A father and his daughter struggle to survive in deep space where they live in isolation. Director: Claire Denis.

Added to Watchlist. From metacritic. Everything New on Netflix in June. First time watch Share this Rating Title: High Life 5.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Robert Pattinson Monte Juliette Binoche Tcherny Mia Goth Boyse Agata Buzek Nansen Lars Eidinger Chandra Claire Tran Mink Ewan Mitchell Ettore Gloria Obianyo Elektra Scarlett Lindsey Willow Baby Jessie Ross Willow Victor Banerjee Indian Professor Juliette Picollot Journalist Mikolaj Gruss Little Monte Weronika Wachowska Learn more More Like This.

Under the Silver Lake Crime Drama Mystery. Good Time Crime Drama Thriller. The Rover Action Crime Drama.

The Souvenir Drama Mystery Romance. The Lighthouse I Drama Fantasy Horror. Monos Adventure Drama Thriller.

It Comes at Night Horror Mystery. Under the Skin I Drama Horror Sci-Fi. Un solaris interior. En el futuro se desarrolla un experimento en el que un grupo de reos condenados a muerte son lanzados al espacio para reinsertarse.

High life es un film que ha provocado sonadas desbandadas a su paso por los festivales. Ver todo. Al igual que 'Ex Machina', bebe mucho de otras obras, pero tiene mucha personalidad y momentos que te dejan con la boca abierta.

O al menos merece una oportunidad. En absoluto.

There's also a lot of sexual violence here. Once we get caught up in the timeline, the last twenty minutes is pretty mundane until one final fateful decision that we established earlier is the physical equivalent of suicide.

That's about it. It feels like pieces of more meaningful ideas and conversations are left as scattered detritus, demanding that an audience not just put the pieces together but also project their own meaning onto that puzzle.

I don't mind a movie that makes me work but there's a difference between being ambiguous and being empty and vague. I don't know what Denis and her movie is trying to say and it's generally hard to follow when we don't get to know people and situations before jumping around in time.

There's definitely a vision here, but to what? High Life often looks gorgeous, with large swaths bathed in moody lighting and artfully styled shot compositions.

A masturbatory "dance" into something dream-like feels like what would happen if David Lynch tried his hand at erotica.

The performances are rather blank as if Denis had precious little to explain about their characters. There's a stretch where they're all highly sedated as well, which only makes them seem like slightly sleepier versions of who we have seen up to this point.

Pattinson has really impressed me with his recent indie output working with eclectic artists, especially his live wire performance in 's Good Time as a hapless criminal trying to get out of an increasing mess.

Pattinson burrows into his character's monastic aim in an attempt to tap into something deeper. It just isn't there, so he looks longingly at the stars, thinks furtively about his past, and goes through his routine.

These people too often feel like vacant shells of human beings, zombies walking the corridors in habit. The only other actor worth noting is Binoche Ghost in the Shell who gives it her all, especially during a masturbatory sequence that reminded me of a riding bull.

Get ready for lots of extreme closeups of her pubic bone as well. High Life feels like Annihilation in space but even lacking that movie's attuned sense of purpose about mankind's relationship with nature and its general indifference to us.

It fails to come together for me into something more cohesive or engaging or just even understandable. This is operating more on a metaphorical level than a hard science level, though the asides with black holes are depicted with intelligence.

Mostly I was watching the movie and I kept waiting for the actual movie to kick in. There's a dispirited collection of ideas and images and a general lack of hurry to get around to saying little with clarity.

It's frustrating because the movie has so much potential with its premise and setting and different narrative pieces, but ultimately it feels too lost in space when it comes to larger meaning and substance.

Nate's Grade: C. Nate Z Super Reviewer. Apr 25, Science fiction filmmaking has always been one of the more interesting genres to me, due to the fact that your stories can be filled with endless imagination.

From amazing films like A Space Odyssey to even mediocre blockbusters in Interstellar, they're always filled with concepts that impress me.

Even if a sci-fi movie hits theatres and has me incredibly against it by the time the credits roll, I still usually find myself pleased with the visual style or the ambition behind the story as a whole.

In the case of High Life, I absolutely admired everything about this movie, but I probably won't be telling anyone to rush out and watch it.

Following Monte, as he floats around in a shuttle drifting through space, he and his infant daughter try to survive, alone.

With flashbacks to previous events and character interactions that explain their current situation, this is a film that begins very ambiguous, but ultimately becomes bogged down in exposition and overly complex narrative choices, that simply had me frustrated with the movie overall.

The premise of the film itself and the visual style that they were able to pull off on a budget of just over 10 million dollars.

I absolutely loved everything about this movie that revolved around Monte who was played very well by Robert Pattinson and his daughter.

Their growth throughout the film and development within their characters easily felt like the most impressive aspect.

As mentioned above, the flashbacks and overly explanatory sequences took me out of the film. Not to ruin what the flashbacks consist of, but it was far less interesting than the present day timeline and they balanced the present day with the past quite evenly in terms of the film's run time, which was disappointing to me.

Although noticeably low-budget, this is a very nicely shot film with some very unique sci-fi visuals. I wasn't completely sucked in, because some of the sets and ways certain scenes played out felt slightly cheap in my opinion.

I'm not usually someone who complains about this, because filmmaking is insanely hard to get right, especially on a low-budget, but something about the atmosphere of this movie felt slightly off to me.

In the end, High Life is the pure example of a movie that's not made for everyone. Even if I loved this movie, I still wouldn't recommend it, simply because there are many things presented throughout this movie that will turn off many viewers.

I admired my experience with this movie as a whole and would've given the filmmakers a round of applause if they were at the screening, but the movie just didn't click with me in the ways I had hoped for.

A very solidly constructed movie that just didn't quite work for me. KJ P Super Reviewer. Apr 22, For example, I've often wondered what it would be like if David Fincher directed a romantic comedy, or if Mira Nair directed a musical.

Ok, I'm sure most of you will think, "I don't have time for your nerdy nonsense", but it's fun on a dull Friday night.

Somebody was clearly playing my imaginary game when they paired legendary French director Claire Denis with a science fiction film. Count me as someone in both columns.

I'm not sure what I saw, but I loved it just the same. Describing the story won't really give you a sense of what it's like to see the film, but its bare bones trace the story of a group of death row inmates on a mission to harvest energy from a black hole deep in outer space.

We know from the opening scene that only Monte Robert Pattinson and his infant daughter Willow have survived as we see him jettisoning the dead from the ship.

How the rest of the crew met their fates makes up the body of the story. Their leader, Dibs Juliette Binoche , also a convict, wants a baby by artificial insemination, since sex on the ship is forbidden.

Frequent masturbation using an orgasmatron-esque "Box" keeps the crew from going completely nuts, but baby or no baby, these folks know they're on a suicide mission.

How they face certain oblivion remains a consistent theme throughout the film. It's moody, visceral, and is in no rush to cut to the chase.

Scenes may not flow together in the traditional sense, but the images do. It has its knockout, violent set pieces, but I'll remember the existential stillness more than anything else.

I've never seen a spaceship on film quite like this one, resembling a brown trash barge more than the futuristic shiny things we're so used to seeing in other films.

Denis cares less about narrative coherence and more about how moments make you feel. I loved shots of the crew standing together staring out the window or a lone space glove floating in the coat room.

You won't find a ticking clock pace here, as time doesn't seem to matter to Denis. Some may find the film to be a crashing bore, but I found it hypnotic, open to interpretation, and beautiful.

I'm still not exactly sure what I saw, but I know I want to see it again. Due to its stately pace and dreamlike imagery, Denis gives you plenty of time to reflect on hope and whether one lives their life in the past, present or future.

Denis finds great beauty in this theme, where despite certain death, there's always hope that something else may occur.

His physicality and his ability to simultaneously convey menace and kindness makes this underwritten role so mesmerizing.

He even does his own singing in the end credits song, and it's a Radiohead-like earworm. The concept of a junky spaceship is nothing new, but Denis and her Production Designers manage to make this ship, in all its ugliness, something to remember.

It's well past its due date like the Millennium Falcon and the Sulaco, but it's even more dingy and claustrophobic. The crew may not be on Earth anymore, but they're still imprisoned.

How each manages to cope with their situations results in lots of bodily fluids, rape, horrible deaths, and in one case, a beautiful sense of peace.

If you don't mind non-linear, slow as molasses, confusing, open-ended storytelling, you may want to go on this long, strange journey.

At 73, Denis shows that you can still make a totally original, batshit crazy film, and that's something to celebrate.

Glenn G Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Video Game Movies Ranked.

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On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

Takes place beyond the solar system in a future that seems like the present. About a group of criminals who accept a mission in space to become the subjects of a human reproduction experiment.

They find themselves in the most unimaginable situation after a storm of cosmic rays hit the ship. Nothing happens. The whole movie takes place on the ship, and there is nowhere to go from the first scene to the last, and the thin plot reflects that.

A similar theme to the original "Solaris" the Russian version in which a spaceship travels endlessly to another solar system.

In this case, it is a black hole, which metaphorically represents the film. So be aware, you are not going to understand the purpose of the voyage, and nothing about the characters makes much sense either.

On the positive side, there is some interesting use of scientific experimentation and some interesting set design as well as a couple of attractive cast members.

However, no one other than Robert Pattison gets to say much. Juliette Binoche is wasted in a role in which she has to play a very annoying Nurse Ratchit-type of bitchy scientist, and is very unlikable, which is unfortunate, considering she is usually the best thing about a film.

Here, her talent is wasted on a very obnoxious role. I gather from the little bit I gleaned from all her 12 or 13 lines that Juliette plays a Scientist who is conducting an experiment in getting one of the young women pregnant, but in order to do so, she has to use the turkey baster method.

When one of the young studs tried to impregnate a girl naturally, the subsequent furor among the cast made absolutely no sense whatsoever.

If the goal is to reproduce, why aren't they reproducing? Are the women all lesbians? Not clear. This is a baffling and confusing 2 hours, made by a master filmmaker, who tries very hard to make some kind of a statement, but in all honesty, I could not think of what that statement might be.

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Ver todo. Al igual que 'Ex Machina', bebe mucho de otras obras, pero tiene mucha personalidad y momentos que te dejan con la boca abierta.

O al menos merece una oportunidad. En absoluto. Una mezcla peculiar, que no a todos gusta. Es imposible no encontrarle algo bueno.

Claire Denis nos da una de cal y una de arena.

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